|
Chapter
10
| Chapter 11
| Chapter 12
Chapter 10:
Jeremy leaned motionless
against the heavy metal grating that held
him from a twenty foot drop into the East
River. His forehead rested against one
cold bar as his left hand grasped another.
He stared downward as he kicked loose
pebbles into the water far below.
I'm powerless. Trapped
in my own prison.
He snickered a little at
the stupidity of the thought, tucked himself
further into his sweater and looked up
at the clear night sky.
"What's the joke?"
Startled, Jeremy turned
around to see Donatello pulling up a milk
crate to make himself a slightly comfortable
seat.
"Ah nothing. I was
just thinking. I was laughing at myself
for thinking, actually. I'm starting to
think in prose." Jeremy explained
while scratching his brow.
Donatello sat on the crate,
saying nothing further. He gazed out behind
Jeremy into the river reflecting the bright
sky of the city. Jeremy approached him,
his tattered sneakers crunching gravel
and broken glass beneath his feet.
"Hey, Don?"
Donatello looked up at Jeremy.
Jeremy fidgeted with his
hands, peeling off some dead skin. He
began quietly, "I've come to the
conclusion that after all that's happened,
that I haven't achieved anything at all."
He leaned up against the tunnel wall.
"You've helped me in so many ways.
I can't believe how kind you all have
been. It hasn't been easy, and I know
that I'm probably just dragging you down
for the most part. I think that it may
be time for me to leave..."
"Jeremy." Donatello
spoke up. "You've got to understand
-- this is what we do. We are in the business
of helping people. We aren't all just
skateboards and pizza. We do what do because
we have to. It's our mission, but at the
same time, we want to do it."
Still fidgeting with his
hands, Jeremy said, "It's just that
this isn't your problem to face. I should
have never let you all get involved this
much. Really, what I should do is just
say screw it all. Just remember what my
father did to me and leave him wherever
he is now. It's his fault things are the
way they are. I think of you all as my
friends, really, but I shouldn't have
let you all get involved."
Both Jeremy and Donatello
were quiet. They continued gazing at the
water for some time, until Jeremy walked
back into the darkness of the tunnel.
Donatello stayed at the grate, staring
at nothing in particular.
As Donatello made his way
back to the lair some time later, his
thoughts enveloped him.
We do what we do to
help people. Why can't we do better? Jeremy
can't handle this on his own, and what
he wants to do is let it all go. And THEN
what? What's he going to do? Where will
he go? It's the wrong decision...
Are you certain of that,
my son?
Donatello looked up, startled,
his thoughts interrupted by a fatherly
voice. Splinter was sitting cross-legged
atop a wide metal pipe engulfed in shadow.
He motioned for Donatello to sit next
to him.
"What are you doing
in the dark, Master? And on a cold night,
too..."
"I am comfortable,
Donatello. I have my luxurious fur coat,
remember?" He ruffled his fur and
posed in mock conceit. "Besides,
this pipe radiates a soothing warmth.
These aging bones are enjoying the therapeutic
heat.
Donatello smiled slightly
as he took a seat beside his surrogate
father. He drew up one leg to his plastron
and hugged it tightly, resting his chin
upon his knee. Splinter eyed his son,
yearning to meet his downcast eyes. But
Donatello didn't look at Splinter directly.
"This dilemma with
Jeremy troubles you so, my son. Please,
tell me what is on your mind."
Donatello continued staring
ahead into the darkness with his chin
on his knee. "You know, Splinter,
we've taken you for granted..."
"Oh... no, my son."
"Yes, Splinter, we
have. Not everyone has a caring father
like we have. And that is all we've ever
known. This is the first time I've ever
encountered a father who has not taken
pride in his son. Ten years... God...
ten years. And now... now that he needs
his son to get him out of hot water...
that's when he gives a damn.
I never thought that there
could be families in such disarray. Such
chaos. But there it is... abuse, molestation,
abandonment. I want to believe that all
fathers care for their sons. But seeing
Jeremy in such pain..."
Splinter placed a hand on
Donatello's shoulder.
"Donatello, you and
your brothers have been model sons. You
have not taken me nor my teachings for
granted. You have used them to the best
of your abilities. As a father, that is
the best gift I could ever receive. You
have used the skills I have taught you
to bring at least some justice to this
world. Yes, my son, we live in chaos.
And I have raised you to be strong enough,
to be courageous enough, and wise enough
to overcome and harmonize with that chaos.
With these virtues and some patience,
you have proven yourselves to be the heroes
I knew you would become. You have brought
much beauty from what would otherwise
be dissonant chords."
"You could have left
us there to die."
Taken aback, Splinter replied,
"No, Donatello. I could not have
left you there to die."
"But you could have.
Splinter, four turtles dropped ten feet
onto concrete, covered in glass... why
did you take a chance on us? We were slow,
bloody, near death. Why take that chance?"
Splinter stood up on the
pipe. He looked down at his son, and their
eyes met. "I did what I did to help
you, Donatello."
He hopped off the pipe and
began walking down the concrete corridor.
"I help those in need. It's what
I do."
Donatello followed his master
through the darkness. "Splinter,
I'm sorry... That's what I told Jeremy
tonight. He wants to leave. He wants to
forget about his father. That can't be
the right choice, Splinter."
"Again, I ask, are
you certain of that, my son?" he
called out as Donatello was having trouble
keeping up with his pace in the darkness.
"I... Well, I don't
know, Splinter. There's some seriously
bad stuff going on. It's not just about
Jeremy and his father."
"So it would seem."
Splinter stopped with Donatello nearly
running right into him. "Donatello,
yes. It is the right thing to do. We must
help the Stokers. They are in grave danger,
I fear. I am uncertain how powerful this
Turtelli is. But, to have a gang of thieves
as powerful as the Golden Triangles pledge
their allegiance to you... I am afraid,
Mr. Stoker has indeed gotten himself in
over his head.
However... Jeremy is a grown
man. If he wants no part in this war,
then he shall have no part in it. Indeed,
he has had more than his fair share of
hurt and anxiety in recent weeks."
Donatello nodded, "He
feels trapped by all this. But, Splinter,
I don't know if he can get on with his
life without knowing about his father."
Again, Splinter placed his
hand on Donatello's shoulder. "Perhaps
he can and perhaps he can not. He may
be headstrong, but he is also intelligent.
Jeremy will seek out answers and, if need
be, return to us. But whether or not he
involves himself beyond that... Well,
that is his choice to make, my son."
Chapter 11:
"Guys! Wake up!"
Leonardo walked into the bedroom tunnel,
turning on the lights.
"Gah! What is it that's
so important, Leo?!" Raph threw the
sheet covering his carapace aside.
Urgently, Leonardo prodded
Michaelangelo. "You too, Mikey. Get
up. This is important. It's about Jeremy."
Donatello was sitting cross-legged
on his bed. "He's gone."
The three turtles looked
at him. "There's a note, isn't there?"
Donatello continued, rubbing his eyes
and making his way off the bed.
"Yeah... You okay,
Don?" Leo asked. "Do you have
any idea why he took off?"
Donatello was at the door.
"Yeah, I have an idea," he said
smiling mirthlessly. "I'm gonna get
some coffee. I'll fill you in over breakfast
if you'd like."
The three turtles joined
Donatello in the kitchen as he replaced
the previous day's filter in the coffee
maker. Michaelangelo sat at the kitchen
table as the others stood by Donatello
at the counter.
"What's going on, Don?
Why'd Jeremy take off?"
"Didn't he say in the
letter?" Donatello asked.
"Not really... All
it says is thanks for the help and not
to worry." Leo glanced at the note
again. "If you ask me, this sounds
fishy."
"Nah, it's not fishy,
Leo." The coffee percolated into
the pot. "He needed to get out. It's
too much for him."
"What? WE'RE too much
for him, or what?" Raph said insulted.
"No... not us, Raph.
The problems with his father. He was so
close the other night down at the dock.
And at the same time it was nearly impossible
for him to do anything about it. With
every new lead, Jeremy gets another stab
in the chest. Put yourself in his shoes.
Guys, he didn't have the love and support,
not to mention the skills taught to us
by Splinter. He wasn't taught to shoulder
the burden of heroism. He's done well
so far. But it's hurting him. He needed
to get out."
"But we're still gonna
find his dad, right? I mean... we've got
some good leads and this Turtelli shit
needs to be put out of commission."
"Yes, Raph, we're still
going to put Turtelli out of business,"
Leo interjected. "It's what we do,
Raph."
Donatello smiled again briefly.
"That's right. That's what we do."
He poured the coffee into his mug. "If
Jeremy needs us, we'll be here for him.
But what we need to do right now is deal
some justice. Turtelli needs to be brought
down and Stoker needs to be brought home
safe and sound."
"Eeyahh. So we gonna
do this, then?" Raph roared. Donatello
and Leonardo smirked at each other. Raph
continued, "Eh, Mikey? What you say?!"
Michaelangelo was still
half asleep, sitting at the table. Almost
without moving his lips, he murmured,
"Let's kick this shit."
Mid-afternoon found Raphael
and Michaelangelo training and Leonardo
on patrol. Donatello, on recess from sparring,
made his way down the adjacent tunnel.
It was dark and dank, but once he opened
the doorway to the service room turned
efficiency apartment, the climate controls
and comfort settings he had installed
when Mondo Gecko first moved in, made
Donatello feel right at home. He hoped
Jeremy had felt the same way during his
brief stay.
He yanked the string overhead,
which switched on the light bulb suspended
above the bed. There, at the foot of the
bed, lay an envelope clearly marked "DONATELLO."
Inside the envelope was
a page torn from an aged book. Donatello
unfolded the yellowed paper and read what
was printed on it:
New
House : Old Home
Your house is built
on holy ground;
A loving home was here,
Where I a kindly welcome found
For many a goodly year.
I bless the old with
grateful heart,
With joy I hail the new,
Whose walls the patient builder's art
Have built so sound and true.
With happy eyes its
strength I see,
And all its beauty own :
Each part complete as't were to be
Prized for itself alone.
New House -- Old Home;
O happy walls
For such a glory meet ! --
To echo little children's calls,
And hear their pattering feet ;
To shield them in
their gentle sleep,
Nor frown upon their play ;
The treasure of their life to keep
From every harm away.
Here love that seemed
complete before
Shall yet more perfect grow,
As every happy year shall more
Of inward grace bestow.
New House ! But still
old books shall cheer,
Old music sway the heart,
And flowers that have been always dear
Their tender grace impart.
Old Home ! for o'er
the threshold strange
Old friends shall haste to prove
How little changing place can change
The hearts of those who love.
Old Home ! for westering
age shall shed
Its blessing on the scene,
With sacred thoughts that daily wed
What is with what hath been ;
Ay, and what is with
that beyond
Our vision's farthest scope
Which makes each memory sweet and fond
A promise and a hope.
New House, Old Home
! and what if here
An emblem true should be
Of things which shall to us appear
In love's eternity?
John W. Chadwick.
Late 19th Century
Chapter 12:
Coming
soon.
Back
to Fan-fiction
Teenage
Mutant Ninja Turtles and all related characters
©2000 Mirage Studios
The characters Jeremy Stoker and Jackson
Lee Stoker ©2000 Michael E. Perez
Any similarity between any characters,
names, persons, and/or institutions in
this story and any living, dead, or fictional
characters, names, persons, and/or institutions
is not intended, and if does exists, is
purely coincidental.
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